see below for more about this exhibition
Sunday, 27 February 2011
Camberwell Space "Elusive"
Elusive
"Elusive" is currently showing at Camberwell Space in Camberwell College of Arts. Alongside this yesterday was a symposium about self publishing with "Self Publish , Be Happy". As a photographic exhibition it is interesting and enjoyable, but also elusive as the title suggests. The works are hung without titles or authors; slightly irritating as one has to use a map to work out which work belongs to who. There is also no explanatory text to describe the authors' intentions; I am sure this was deliberate, but I felt it diminished the overall experience. The free catalogue contains an essay about three of the works, but the rest are left for the viewer to make what they will of.
The work above by Verdi Yahooda , entitled "Romillys Tools- an incomplete set" interested me , as I had previously been looking at Susan Hiller's work in archival boxes, which was varied and fun. This work was different; the old box was left closed, and I wasn't immediately sure whether I was permitted to touch it and open the drawers. Having opened the drawer I found prints of old tools printed on plain paper, with strange haloes around them, as if the artist had had difficulty in Photoshop. I have no idea what the haloes were about, and will probably never find out.
I had been thinking of presenting some items from the home as if they were in a museum archive, for example the contents of a make-up bag, or drawer. Seeing this work made me realise that I don't want to do this in a three dimensional format. Maybe taking photographs of items in archival boxes, or as some form of catalogue would be more appropriate, in the manner of Christian Boltanski, as seen at Chelsea last week.
Labels:
archive,
arts,
camberwell,
elusive,
exhibition,
photography,
tools,
Yahoo
Friday, 25 February 2011
from Foot's cray meadow; reflections in the River Cray
Labels:
reflections,
river,
tree,
water,
water river cray
my brother used to eat dog biscuits..........see below
Labels:
dog food
Word association on my morning walk 06.30-06.45
empty take away carton
plastic fork
polystyrene cup
litter
cans
polystyrene
recycling
green
Jessie
India
litter
grids
put litter in archival boxes
still life
lighting
backdrops
keeping litter
plastic bags
rats
mould
archiving
Susan Hiller
museum
London
Sunday
lunch box; was lost and is found
breakfast
dog
food
dinner
plate
dog food on dinner plate
dog food in lunch box
my food in dog bowl
dog biscuits
my brother used to eat dog biscuits
dinner in dog
man eats dog food
cupboard
raid the larder
my mother had to put a lock on the larder to keep my brother out
British Airways
chocolates
wrappers
text
litter
my street
windows
entrances
flowers
cars
houses
collage
glue
tutor
research
grids
Hockney
pictures in frames
personal objects in wrong places
wrong pictures in frames
dissonance
mantelpiece
some thing will come of all of this
Wednesday, 23 February 2011
creativity in the kitchen
My project is about my "ordinary life". The dilemma I wrestle with most of the day is what should I include?
I could take a photo every five minutes, or perhaps every hour?
I could photograph my porridge on a daily basis to show you how skilled I am at using the microwave, and how much sugar I put on top.
Should I take my camera to work, or when visiting friends?
Can I venture into abstractions of normality? ( more than likely I will whether you think I should or not).
All of these thoughts buzz around throughout the day, along with wondering whether to write in my workbook, take more pictures or read something relevant to my subject area.
Today I decided to tackle FLASH; a skill that has eluded me for the last 40 or more years. I got my camera and a bottle of ketchup out on the kitchen table, and the work began. I didn't get very far, because something totally out of the ordinary happened; a man called Martin arrived to clean my oven.
Nothing ordinary about that; never before have I had a man wearing a head torch delving into my oven, down on his knees while I pretended that I know something about flash photography. Turns out that Matin is a keen photographer; he directed me to You Tube to find out what to do. Sadly, the Nikon flash that I borrowed does not talk to my Canon camera; after an hour of messing around I realised that I had no control whatsoever over exposures. I retreated to my computer.
Martin transformed my oven, and I produced a rather unusual image of a bottle of ketchup.
Labels:
"caroline fraser",
camera,
canon,
exposure,
flash,
ketchup,
photography,
tomato sauce
Tuesday, 22 February 2011
the word on the street
Labels:
street keep calm carry on
Monday, 21 February 2011
English lessons and ivory towers
I mentioned earlier that I couldn't understand the text for the exhibition "Aphasic Disturbance". In particular two words stood out as being in the way of my understanding what the exhibition was about ; a shame really, as I didn't have a dictionary in my handbag, or access to Wikipedia.
I looked up synecdoche and metonymy this morning, only to find that they mean almost the same thing; a part of something being used to represent the whole , such as "Westminster" being used to describe the "government of England".
Maybe I am ignorant ; maybe I should know these words.
So I did a bit of research; I presented fellow students, my tutor and college librarian with the sentence that I struggled with. NOT ONE OF THEM UNDERSTOOD IT................and the librarian has an English degree.
This begs the question; did the curator of the exhibition realise that his explanatory notes did not do the job intended? Did he want to impress? Or did he not even realise that most of the population, even those with degrees, don't speak his language?
Sunday, 20 February 2011
dreams
Susan Hiller has a work entitled "dream mapping". Participants of the project slept in a field among fairy rings, and recorded their dreams. They then mapped out their dreams visually, and Susan combined them into a map.
last night I had two dreams that I remember; one was about trying to play a tennis match with a floppy racquet, and the other was about arriving at a friend's house having eaten supper. She presented me with a plate of chicken in gravy with salad, but had removed all the meat. I had to tell her that I was not hungry, and was left wondering why she had served me half the meal.
questions.........
how would you map these dreams?
why am I still thinking about food?!
last night I had two dreams that I remember; one was about trying to play a tennis match with a floppy racquet, and the other was about arriving at a friend's house having eaten supper. She presented me with a plate of chicken in gravy with salad, but had removed all the meat. I had to tell her that I was not hungry, and was left wondering why she had served me half the meal.
questions.........
how would you map these dreams?
why am I still thinking about food?!
Labels:
dream mapping susan hiller
the right to speak
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I shall explore the use of the written word further, as it seems to be becoming important.
in the dog house
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Home again for some gardening, followed by a nice cup of tea in the happy pig cup, to remind me that there is always something to smile about.
Saturday, 19 February 2011
moments of pleasure
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I am going to have to work harder at this lingo; the words are so alien; might be a project there.........
Labels:
art,
culture,
language,
telekinesis
dancing trees outside Tate Britain
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I made it to Chelsea Space for the last day of Aphasic Disturbance curated by Stephen Bury. The blurb about the exhibition was slightly more comprehensible than the exhibits themselves; try this sentence for size........." a salient example from the history of painting is the manifestly metonymic orientation of Cubism; where the object is transformed into a set of synechdoches". I wonder what that means? Must be art.
Not deterred, I walked a few yards across a nice square and into Tate Britain, where I revelled in the Susan Hiller exhibition. I learned about dream mapping Now there's someone who is not short of inspiration. I loved " the last silent movie"; watching the words on the screen in the dark and listening to the spoken word of endangered and extinct languages from around the world was an installation that will linger; I never knew there was a language where you could say " go and get the castanets" by whistling. Suffice it to say that I payed £25 for the catalogue, which is praise indeed. I have only bought three catalogues in my life ( and all of them since starting this course, so maybe I am changing in ways that I could not have predicted).
Finally, before jumping on a bus back home, I did a bit of photography capturing the pollarded plane trees outside the Tate.
think like a dog
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yesterday I listened to a lot of troubled people; one of the privileges of my job is that people tell me things that they may never have told anyone else. like the lady who sat in front of me in tears because she thinks her grandmother may have abused her. all of this attentive listening is draining at times. my plan was to start today with a game of tennis with friends; a sure way to lift the spirits and refresh the body; but it is raining..............so it'll be down to the woods in the rain instead.
my dog has the right attitude to life; I came down to the kitchen and fed her a bowl of dubuious looking brown reformed shapes, and she scoffed it in 3 seconds and then ran around the kitchen wagging her tail and showing off her soft toy; it's all about food!!
be happy!
Friday, 18 February 2011
food for thought
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Wolfgang Tillmans
“if one thing matters everything matters”
Thursday, 17 February 2011
inspiration
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I am committed to a project on ordinary suburban life; I normally take photographs outdoors in nature; my dilemma is to combine the two, or to find a slant on my life that feels right and that I can work on with enthusiasm. As a photography student I have seen many different ways of viewing the world, but now need to put these aside and find my own way; the challenge begins................
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