'complete the piece' - an experiment at the School Creative Centre - on the theme of the colour blue

real art

I told you about the project at The School Creative centre to complete another artists's work. I was given this painting, with blue waves in real paint and brush strokes. What to do with it?

part of the incomplete painting

I had promised do do a drawing/painting.

Then I chickened out and took some photos of the paint.

...........and played around with them in Photoshop. Blue is the colour favoured by the artist that started my painting. She paints in blue and wears almost exclusively blue clothes.


I felt compelled to play with the colour blue, using digital technology to distort my photographs of the paint.

Blue, according to colormatters , a colour psychology site means;

Dark blue: trust, dignity, intelligence, authority

Bright blue: cleanliness, strength, dependability, coolness
(The origin of these meanings arise from the qualities of the ocean and inland waters, most of which are more tangible.)

Light (sky) blue: peace, serenity, ethereal, spiritual, infinity
(The origin of these meanings is the intangible aspects of the sky.)

Lapis Lazuli was a precious commodity in the Middle Ages , used by renaissance artists and exported from Afghanistan to Europe to be ground into the very expensive ultramarine pigment.

Ultramarine pigment

It was often used for painting the robes of angels and the virgin Mary.

I am not good at angels or virgins.

So I did squares and octagons instead.

I abstracted the paint using just the colours.

I then played around with grids from the paint and paper.

paint abstacted

I turned the blue squares into a T-shirt.

 the colours didn't look as vibrant as I had hoped. 

And then today, I felt bad that I hadn't finished the piece as promised. I don't have any paints, so I used my old chalks.

I scribbled and drew like a five year old child.

It was fun.

It was not impressive.

I was drowning, not waving..............


But the whole process had given me hours of fun, and really made me think, discuss and experiment.

So now, if you would like a T-shirt , I know how to make one.

Just ask.

And if you would like a very childlike drawing, I can probably oblige too.

All I will need is a blank piece of paper.

Paper whites

I think I like this one best.......

Topaz filters and a little tree therapy

thicket © Caroline Fraser 2012

I have had a busy week, and have restored my equilibrium over the weekend with two long walks in the woods with dog.

I took a proper camera and a monopod; a compromise over the need to carry a tripod for decent depth of field, and my need to walk and feel unburdened by my equipment. As always I carry just one lens, and see what I can do with it. This weekend I have rediscovered the fun of a wide angle lens. My Sigma 10-20 mm has not been out for a while, but for my current project on chaos in the woods it is perfect, allowing a wider depth of focus than most of my other lenses, and better  quality images than a standard telephoto lens.

I have downloaded Topaz B&W effects for a one month trial, and am experimenting to see if it is something I would like to buy. I already have Lightroom which has a number of monochrome options, but am struggling to use the programme efficiently. Topaz can be used from within Photoshop, and is therefore simpler to use.


So what have I found?


I am wary of producing images that look overcooked. So many journalistic photographers seem to use Topaz filters for portraits, and the overall effect is to over accentuate the pores and wrinkles to a point where they look unatural. Likewise landscapes can have too much 'venetian' effect or 'pop', and the effect immediately destroys the image in my eye.


I like to use black and white layers within photoshop to enhance the contrast in an image without creating an obvious filter effect. I copy the background layer and convert the layer to monochrome. The blending mode is then changed to soft light or overlay and the percentage opacity altered according to taste.

black and white overlay on a colour image using soft light as the blending mode

Here is the first image unadulterated

and here with the Topaz diffusion filter applied as  a layer with some additional blur

with diffusion and blur

and here with no blur

with diffusion and no blur

Some images work better in black and white, especially for conveying nature's chaos.

original image

with high contrast monochrome effect and vignetting

original

colour image with  monochrome overlay in soft light blending mode

same image using Topaz BW  infra red effect, exaggerated grain and vignetting

One could play around for hours and  probably create all of these effects without Topaz, but the ability to preview many different effects, and then to fine tune the effect is attractive. 

grunge

aged effect

You just need to be careful not to overcook the albumen or go overboard on the 'grunge'.